The AMAM’s Ter Brugghen painting St. Sebastian Tended by Irene, one of the most important Northern Baroque paintings in the United States, is displayed with the Met’s The Crucifixion with the Virgin and St. John by the same artist. These two works appear in Only in America: 100 European Masterpieces in American Museums Unmatched in European Collections (2006); there Pierre Rosenberg, former director of the Louvre, singled out the AMAM painting as the one painting in an American museum named most often by art historians and curators worldwide as unparalleled in Europe.
AMAM paintings by Domenichino, Sweerts, Turner, Monet, and Cézanne are also seen alongside important works by those artists in the Met’s collection. Despite its much smaller size, the AMAM has also loaned works by artists not found in the Met’s permanent collection of paintings and sculpture: paintings by Erhard Altdorfer, the Cavaliere d’Arpino, Giovanni Battista Gaulli, and Ernst Ludwig Kirchner—along with the AMAM’s wooden sculpture by Kirchner—add new voices to the Met’s extensive holdings. The AMAM’s Rothko, Gottlieb, and Newman paintings are displayed in the Met’s Modern galleries; the first two were instrumental in the early definitions of the importance of abstract art in the United States in the early 1940s.
The AMAM is similarly loaning 20 17th-19th century works to the Cleveland Museum of Art this year.
The AMAM’s current building renovation project has provided the opportunity for works from the collection to travel widely. The project includes a comprehensive renovation of the museum’s electrical, mechanical, plumbing and other systems and an expansion of art storage. Many sustainable components are incorporated, including 18 geothermal wells. The renovation seeks to achieve a Gold LEED rating from the U.S. Green Building Council.
In conjunction with the exhibition Side by Side: Oberlin’s Masterworks at the Met, the AMAM and The Metropolitan Museum of Art’s Education department have teamed up to organize a series of gallery talks about the Oberlin works in the Met’s galleries.
The exhibition will travel to The Phillips Collection in Washington, D.C., where it will be on view from September 11, 2010—January 16, 2011. It was organized by Andria Derstine, AMAM Curator of Collections and Curator of European & American Art, and Stephanie Wiles, AMAM Director, and is being overseen at the Met by Maryan Ainsworth, Curator in the Department of European Paintings and an Oberlin College alumna (1971).