Showing posts with label Toledo Museum of Art. Show all posts
Showing posts with label Toledo Museum of Art. Show all posts

Wednesday, June 30, 2010

Toledo Museum of Art Announces New Director

The Toledo Museum of Art announced today that Brian P. Kennedy, director of the Hood Museum of Art at Dartmouth College, has accepted the position as the Museum's ninth director with a start date of September 1. Board Chair Betsy Brady and George Chapman, head of the search committee, made the announcement this morning at the Museum.

"The Museum conducted an international search for its next director. We were pleased to have an exemplary group of candidates presented to the committee," said George Chapman. "This was a very positive process that affirmed both the Museum's standing in the art world and the desire of many talented people to work with our collections, our staff and our community."

Kennedy has been at the Hood Museum of Art since 2005. Previously, he served as director of the National Gallery of Australia, Canberra (1997-2004) and assistant director of the National Gallery of Ireland, Dublin (1989-1997). "Brian is well recognized internationally as an exciting young director," said Betsy Brady, chair of the Board of Directors. "He has a warm, friendly personality, a desire for both excellence and diversity, creative energy, and a love of active community engagement that make him a great fit for Toledo."

"I am delighted to be coming to Northwest Ohio to lead the Toledo Museum of Art," said Kennedy. "Its staff, collections and facilities are of the highest quality. I look forward to building on its achievement and becoming closely involved with the Toledo community, renowned for its warmth of manner, and support for its distinguished art museum."

With 70,000 objects, the Hood Museum of Art boasts one of the largest and finest collections at any American institution of higher learning. Kennedy promoted a global art focus at Dartmouth, as evidenced by the broad array of large and small-scale exhibitions and corresponding publications mounted during his directorship. Significant acquisitions were made by gift or purchase, including important collections of Native American and Australian Aboriginal art, Indonesian textiles, and modern art; and a new series of public contemporary art projects featuring artists from diverse ethnic and cultural backgrounds was launched.

While in Australia, he made many notable acquisitions, including works by Luca Giordano, Pierre Bonnard, David Hockney, Lucian Freud, Gerhard Richter, Xhang Xiaogang, Frank Stella, Karen Lamonte, obtained generous private funding from donors and collected widely across various media for the national art collections. He increased access to the collections by implementing a free admission policy and expanding the museum's traveling exhibitions and loans program throughout the country.

Kennedy received his bachelor's, master's and doctorate degrees from University College, Dublin, where he received highest honors for his studies in the history of art and history. He is a prolific author and editor, with numerous books and articles to his credit, most recently a 2008 publication on Irish-born artist Sean Scully and a forthcoming book on American painter and printmaker Frank Stella. He holds a faculty appointment as an adjunct professor in the art history department at Dartmouth, the first Hood director to be offered such an appointment since 1991.

Kennedy is a member of the Association of Art Museum Directors, American Association of Museums, and the International Association of Art Critics. He was chair of the Irish Association of Art Historians from 1996-1997 and the Council of Australian Art Museum Directors, 2001-2003. In 2003, the Australian Federal Government awarded Kennedy a Centenary of Federation medal for Service to Australian Society and its Art.

Kennedy, his wife Mary, and teenage son Eamon will be relocating to the Toledo area. His daughter, Anne, is a student at the University of New Hampshire.


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Monday, January 18, 2010

Toledo Museum of Art Unveils Guernico

Guernico, Lot and His Daughter, c. 1651-1652


It is a gap in its impressive collection of 17th-century masterworks that the Toledo Museum of Art (TMA) has been trying to fill for more than 50 years. A work by Bolognese master Giovanni Francesco Barbieri, commonly known as Guercino (“the squinter”), has been a long-sought-after addition to the TMA collection.
Guercino’s vibrant Lot and His Daughters (about 1651-1652) was acquired by the Museum in October of 2009. The large painting (176 x 231 cm / 69 ¼ x 90 7/8 inches) will be unveiled to Museum members and the general public on Friday, Jan. 22 during a 7 p.m. ceremony in the Museum’s Great Gallery. Lot and His Daughters will temporarily hang in the gallery’s most prominent location, normally reserved for Peter Paul Rubens’ Crowning of St. Catherine, which will be relocated to an adjacent wall. The move will result in several additional works being relocated within the gallery in order to show the new Guercino to its best advantage.
According to Lawrence Nichols, TMA’s William Hutton Curator of European and American painting and sculpture before 1900, Guercino is an Italian Baroque painter of the highest rank, and an appropriate example of his work has been sought for the Museum’s collection for decades.
Nichols has considered other Guercino paintings over the years but noted, “The quality of the composition and the story-telling power of his Lot and His Daughters is truly masterful. The preservation and condition of the canvas are remarkable; the picture radiates and commands one’s attention in the context of our Great Gallery.”
The painting was purchased with funds from the Edward Drummond Libbey Endowment, a fund that is restricted to the purchase of works of art. The painting had been in the hands of a private Italian collector for many years prior to it being offered to TMA earlier this year.
The last time the Museum acquired a work by an Italian baroque painter was 1983 when, coincidentally, the Museum acquired Artemisia Gentileschi’s Lot and His Daughters. Visitors will be able to compare the two canvasses, and how the scene is represented by both a female artist (Gentileschi) and a male (Guercino).
Toledo’s Guercino is actually the third full-length painting of Lot and his daughters that the artist painted over a two-year period. An Italian collector first commissioned the work from Guercino, but had to wait when the first two works were purchased for the Duke of Modena and the Duchess of Mantua. Those works now hang in the Dresden State Art Museum and the Louvre, Paris, respectively.

Tuesday, December 29, 2009

Toledo Museum of Art Launches New Website

The Toledo Museum of Art has launched a redesigned and expanded website: www.toledomuseum.org The new, easier-to-use site provides immediate ways to explore TMA’s current and upcoming exhibitions, its programs and events, and detailed information about the Museum and its world-renowned collection. “More and more people are turning to the Internet as a primary source of news and information,” said Kelly Fritz Garrow, director of communications. “It’s essential for the Museum to have an active and vibrant online presence.”

New features of the Museum website include:

Web calendar by GoogleContains up-to-the-minute details on all TMA programming including special events, demonstrations, tours and hands-on activities.

Online class registration—Signing up for one of TMA’s many art classes and workshops has never been easier. Viewers can browse the catalog, register, pay and get registration confirmation at their convenience.

TMA Newsroom—Provides easy access to downloadable news releases, media guidelines, image request forms, RSS feeds and more.

Links to Facebook and Twitter—More than 7,000 Facebook fans and 1,600 Twitter followers get breaking news about the Museum here.

Online Museum StoreOffers easy, convenient shopping at the Museum Store, which features a diverse selection of unique merchandise and specialty gifts.

The new website is part of a re-branding campaign to refresh the Museum’s graphic identity and web presence.“As a brand, the Toledo Museum of Art enjoys high levels of awareness and favorability,” said Garrow.“This process is meant to refocus and refresh Museum communications to reach new audiences while still engaging our long-time supporters.”The design, content, and functionality of the new website has been a joint effort by the Museum’s Office of Communications and Madhouse, a Toledo-based graphic design agency.Note: For more information, contact Kelly Fritz Garrow at kgarrow@toledomuseum.org or 419-255-8000, Ext. 7408.